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KINETIC MONUMENTS OF COLORADO SPRINGS

STEEL & WIND

Fifty-foot steel structures that breathe with the Cheyenne Cañon drafts. A testament to engineering precision and artistic defiance.

The Blacksmith's Son

Starr Gideon Kempf (1917–1995) was not born into high art. Raised on an Ohio farm, he learned the language of metal from his father and seven uncles—all blacksmiths and carpenters.

He attended the Cleveland Institute of Art and served in the Air Force during WWII, experiences that fused his artistic vision with mechanical discipline. In 1948, he settled in Colorado Springs, building his own home in Cheyenne Cañon—a landscape that would become his canvas.

While he began with bronze, his later years were defined by monumental steel. He didn't just sculpt; he engineered. He built wind turbines into art, creating massive, intricate birds and spires that required perfect balance to move silently in the mountain breeze.

1917

BORN IN OHIO

1995

DIED IN COLORADO

Engineering the Breeze

Kempf’s sculptures are not static. They are machines designed to visualize the invisible forces of nature.

01

The Material

Constructed primarily of stainless steel, these works were built to withstand the harsh Colorado elements. The polished surfaces reflect the changing sky, making the heavy metal appear weightless.

02

The Scale

Reaching heights of 30 to 50 feet, the sculptures dominate their environment. "Metronome," "Sunrise Serenade," and "Space Needle" are among his most famous monumental works.

03

The Mechanics

Using complex bearing systems, entire multi-ton sections rotate and sway. Kempf calibrated them specifically for the wind currents of his front yard, creating a site-specific dialogue with the air.

The Conservation Paradox

"To save the art, do we destroy its context?"

Starr Kempf designed his kinetic sculptures specifically for the topography of his Cheyenne Cañon estate. The wind there behaves in a way he studied for decades.

However, the sheer scale of the work attracted crowds, leading to a bitter conflict between the artist's estate and the residential zoning laws of the neighborhood. After years of legal battles following Kempf's death, a compromise was reached.

Several monumental pieces were removed from their original context and loaned to the UCCS Ent Center for the Arts. While this protects the physical integrity of the steel and allows for public viewing, a conservationist must ask: Is a site-specific kinetic sculpture the same artwork when moved to a different wind?

Where to View

The Original Estate

Private Property

The artist's home still retains several sculptures. Seeing them in the dense trees of the canyon is the authentic experience, but access is restricted.

2057 Pine Grove Ave
Colorado Springs, CO 80906
  • ⚠ Strictly view from the street only.
  • ⚠ Do not enter the driveway or gate.
  • ⚠ Respect the neighbors' privacy.

UCCS Ent Center

Public Access

Several major works, including Metronome and Space Needle, were relocated here for preservation. They are fully accessible to the public.

5225 N Nevada Ave
Colorado Springs, CO 80918
  • ✓ Open to the public.
  • ✓ Close-up viewing allowed.
  • ✓ Photography encouraged.